Photographic landscape as seen by Ansel Adams and Paweł Pierściński | Art of Photography | lecture

Landscape photography is the art of choice Is it more important to faithfully render an image of space or to capture a momentary mood Better to point the lens at a characteristic detail or to capture a wide panorama Whatever the answers to these questions, each photographer gives his or her landscape photos a unique character Different are the photos of Ansel Adams, one of the most prominent artists of American photography Completely different – those of Paweł Pierściński, co-founder of the Kielce Landscape School

If you want to learn the ins and outs of landscape photography as seen by both artists, come to the next meeting of the “Art of Photography” series on Wednesday, November 13, at 5 p.m. Our topic will be a comparison of their fundamentally different artistic concepts Take a look at the photographs of Ansel Adams and Paweł Pierściński to see the affinities and differences in their creative practice

– Both were authors, writing about the theory and practice of photography – Jasinski emphasizes. – They were respected creators of the photographic movement in their respective countries, as well as didacticians, educating numerous successive generations of photographers They also created recognizable styles of photography, both of near-natural landscapes and of agriculturally and industrially processed landscapes, he adds.

The lecture in the series “Art of Photography” will be conducted by Stanislaw Jasinski – photographer and photography instructor, member of the Union of Polish Artists Photographers A connoisseur of the history of photography and a collector of antique cameras and other artifacts related to this field of art