Obraz autorstwa niemieckiego malarza romantycznego Kaspara Dawida Fridriha przedstawia zimowy krajobraz pełen lodowych bloków, które wydają się sterczeć ostro w górę pośród bezkresnej, lodowej pustyni. Fragmenty lodu tworzą surową, nieregularną kompozycję, podkreślającą siłę natury i jej tajemniczy, mroźny charakter. W tle widoczne są bardziej zamglone, dalekie formacje lodowe, podkreślające ogrom i pustkę tej scenerii. Blada, niebieska tonacja obrazu nadaje mu melancholijny nastrój, jednocześnie zachęcając do refleksji nad potęgą i nieprzewidywalnością natury.

Caspar David Friedrich – Morze Lodu | DKJO!

When

23.01.2025 | 18:30

Where

Provincial Centre for Cultural Animation
Torun, Kosciuszko Street 75-77 | 5. floor | room 506A

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Additional information

Duration of the event: approximately 1 hour and 30 minutes

During the next DKJo! meeting, we will take a closer look at one of Caspar David Friedrich’s most mysterious works, Sea of Ice, created in 1824. The painting, which depicts massive blocks of ice shattered on the open sea, is full of symbolism and references to romantic ideas, such as the insignificance of man in the face of the power and ruthlessness of nature.

Friedrich, a leading representative of Romanticism, created a work that shows not only the beauty of the icy landscape, but also prompts reflection on the fragility of human aspirations and the dramatic contrast between man and nature.

During the meeting:

  • We will talk about the symbolism and hidden meanings in the painting and how Friedrich uses landscape to express human emotions.
  • We will consider the historical and artistic context in which the Sea of Ice was created.
  • We will try to understand what ideas and emotions Friedrich was trying to convey by painting the remains of the ship shattered on the ice.
  • Together we will analyze possible interpretations and meanings related to the romantic perception of nature and infinity.

As always, everyone will be able to share their thoughts and interpretations. The meeting will be moderated by art historian Lukasz Wudarski.

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